![]() Thomas on The onscreen Homosexuality taboo in Malayalam Cinema Hari on The Songs of PB Srinivas | Those that you may have missedĪthul P. RINSON ROYSON on OMC Profiles | Shyam’s Gospel Album in Malayalam Old Malayalam Cinema by Cinematters is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. S Janaki and MS Baburaj | The best melodies by the Nightingale in Malayalam.Lenin Rajendran’s Mazha (2000)| Lush lyricism, Pouring love.Namukku Parkkan Munthiri Thoppukal (1986), a Siemens VCR and Thilakan, the scumbag.Matters of the Mind, Nature of the Heart.The Vayalar – Devarajan kind of magic in Onscreen Romance | My Favorites.When Ghosts Come Calling | Re-projecting the Disappeared Muses of Malayalam films.The Tamil film songs of music director Raveendran.Canned Stories II – The Superstar Movies that never made it to the big screen.The 6th edition of “Ormayil Ragini” is on 26 December 2015.Congratulations Suraj Venjaramoodu, for disrupting our National Film Awards 2013 sensibilities.Maybe this would serve as an example of bringing out the scripts of the Hindi Classics too – what a delightful experience would that be!Ĭontinue reading Old Malayalam Screenplays |3 Bundles of Joy that I absolutely cherish Posted in Profiles, Rathinirvedam Tagged DC Books, Innaley (1990), Iruttinte Aathmavu (1967), Kallan Pavithran (1981), Kanamarayathu (1984), Kanyakumari (1974), Koodevide?(1983 ), Kuttyedathi ( 1971), MT Vasudevan Nair's Screenplays, Murappennu (1965), Nirmalayam(1973), Njan Gandharvan (1991), Novemberinte Nashtam (1982 ), Olavum Theeravum ( 1970), Oridathoru Phayalwan (1981), P Padmarajan's Screenplays, Peruvazhiyambalam (1979), Rathinirvedam (1978), Thoovanathumbikal (1987), Udagappola, Vaasanthi's Tamil novel "Moongil Pookkal", Vasanthi' 34 CommentsĮnter your email address to subscribe to OLD MALAYALAM CINEMA and receive notifications of new posts by email. It is also poignant that all the three are brought out, courtesy of DC Books, perhaps a venture very unique to the publishing industry in India. Had the rest of them (read Bharathan, P Bhaskaran and the likes of them Maestros) had effected the same at some point in their career, to have their screenplays kept together for future generations, this would have been a better place. I consider all three of them close to my heart and would recommend these to anyone who truly appreciates the works of the masters. Though it took three years for all the three to come around, it just didn’t matter. MT Vasudevan Nair’s Screenplays THIS IS NOT A PDF BUNDLE ! ![]()
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